“它越来越近了，我要打点行装，渔船即将出港......”
“岁月不居，时节如流。戊戌相聚，壬寅离别。行文至此，落笔为终......”
“今日涯去，故园仍在桃李灼灼春风里，余自当博学而日参省乎己......”
时光荏苒，转眼四年的大学时光即将落下帷幕，同学们将难舍之情埋藏在论文致谢中，埋藏在毕业作品中......
壬寅年仲夏于泉城，2018级毕业生将以“共生”作为主题，为观展者呈现一场视觉盛宴。此次毕业作品展由山东财经大学艺术学院承办，来自山东财经大学和美国拿撒勒大学的艺术专业毕业生参加了此次展览活动。
本次展出的作品其中包括中国画、书法、西洋画、平板印刷、陶瓷、广告设计、插画设计、字体设计等作品。在这里，同学们将大学期间的学习成果展示给大家。展厅中的作品蕴含着丰富多样的风格和表现题材，诉说着同学们的激情与活力。同学们将对未来的向往、对生活的感悟、对事物的思考融入到艺术作品中，显现着青春力量。
展览事项
展览时间：2022年5月？日—？月？日
展览地点：山东财经大学海岱美术馆
开幕时间：？
部分作品欣赏
山东财经大学：
一、美术学专业：
作者：付安之 Fu Anzhi
作品名称：前赤壁赋 The First Ode for the Red Cliff
材质：纸本 Paper
创作时间：2022年
尺寸：138×69（cm）
作品分类：书法 Calligraphy
创作说明：
整幅十二块小品，以米芾行书笔意，书苏轼《前赤壁赋》。此赋记叙了作者与友人泛舟游赤壁的所见所感，以作者的主观感受为线索，通过主客问答的形式，反映了作者由月夜泛舟的舒畅，到怀古伤今的悲咽，再到精神解脱的达观。
Description:
The whole piece is a twelve-piece miniature of Su Shi’s “The First Ode for the Red Cliff ” in Mi Fu’s cursive style. The fugue recounts what the author and his friends saw and felt during a boat trip to the Red Cliff, taking the author’s subjective feelings as a clue and reflecting, through a question-and-answer format, the author’s relaxation on the moonlit night of the boat, his sorrowful sorrow for the past and the present, and his spiritual liberation.
作者：刘金稞 Liu Jinke
作品名称：前赤壁赋 Ode to the Red Cliff before
材质：纸本 paper
创作时间：2022年
尺寸：120×60（cm）
作品分类：中国画 Chinese paintings
创作说明：
整幅六幅小品山水，寻明人之笔意，描绘了优美宁静的中国古代田园风光。山水小品是中国山水画的重要品类之一，它小中见大，它代表了古代文人的精神追求，又抒发其闲情雅致之心。小品画具有“尽精微，致广大”的特点。
Description:
the whole six pieces of landscape, looking for the meaning of Ming, depicting the beautiful and quiet ancient Chinese pastoral scenery. Landscape sketch is one of the important categories of Chinese landscape painting. It represents the spiritual pursuit of ancient scholars and expresses their leisure and elegance. Sketch painting has the characteristics of "all the subtle, to the broad".
作者：张宇轩 Zhang Yuxuan
作品名称：《春山丛林图》《Spring mountain jungle map》
材质：纸本 Paper scroll
创作时间：2022年3月 March 2022
尺寸：180×97（cm）
作品分类：中国画 Chinese Painting
创作说明：
在元代文人多以画自娱，中国文人画成为元代画坛主流，而史称“元四家”的黄公望、吴镇、倪瓒、王蒙的山水画成就最为突出，该画运用古法描绘春山之景以表达对元四家之敬意。
Description:
In the Yuan Dynasty, literati mostly entertained themselves by painting, and Chinese literati painting became the mainstream in the Yuan Dynasty. The achievements of landscape painting of Huang Gongwang, Wuzhen, Ni Zan and Wang Meng, who were known as the "four schools of Yuan", were the most prominent. The painting used the ancient method to depict the scenery of spring mountain to express their respect for the four schools of yuan.
作者：靳方林 JinFangLin
作品名称：《沁园春·雪》 "Qinyuanchun - Snow"
材质：纸本 paper
创作时间：2022年4月
尺寸：四尺 four feet
作品分类：书法 calligraphy
创作说明：
《沁园春·雪》是毛泽东的诗词名篇，这首词境界博大开阔、气势恢宏、摧山撼岳。作品书体欧楷，布局规整，线条富于变化，运笔畅达、精致，于洒脱之中见灵秀之气，展现给人的是一种自然与率真，清畅温雅的风格。
Description:
“Qinyuanchun - Snow” is a famous poem by Mao Zedong. The style of the work is regular script, with a regular layout, varied lines, and a smooth and delicate brushwork, which is a natural and honest style, clear and elegant.
二、视觉传达设计专业：
作者：刘 威 Liu Wei
作品名称：“孔子见老子”公共空间灯光艺术装置 "Confucius Meets Laozi" Lighting Art Installation In Public Space
媒材：亚克力 光纤 塑料 Acrylic, Optical Fiber, Plastic
创作日期：2022年3月12日
尺寸：200×100（cm）
研究领域：灯光装置 公共空间 Lighting Installation Public Space
创意说明：
基于“孔子见老子”文化基础条件下，用视觉语言去呈现孔子见老子所体现的思想统合与文化的交融，通过矩阵的方式为“孔子见老子”这一事件呈现引人深思的为公共空间所添彩的灯光艺术装置。“孔子见老子”灯光装置分为三个部分，第一部分是“上善若水”的精髓，通过光纤维呈现出抽象水的形态体现善行像水一样滋润万物。第二部分是仁义，通过光纤维矩阵具象的孔子与老子形象表达仁义。第三部分是天道，通过光点矩阵垂落的错落有致，来抽象地表现天道，运用宇宙的视觉形象，从光源的颜色变化，体现天道的浩渺渊深似海。
Description:
Based on the cultural foundation of "Confucius meets Laozi", the visual language is used to present the ideological integration and cultural integration reflected by Confucius meets Laozi, and the event of "Confucius meets Laozi" is presented as a thought-provoking light art installation that adds color to the public space through matrix. The lighting installation of "Confucius Meets Laozi" is divided into three parts. The first part is the essence of "Goodness is like water", which shows the abstract form of water through light fiber to show that goodness moistens everything like water. The second part is about benevolence and righteousness, which is expressed by Confucius and Laozi in the concrete image of optical fiber matrix. The third part is the way of heaven. The way of heaven is abstractly represented by the vertical and well-arranged matrix of light points. The visual image of the universe is used to reflect the vast and ethereal nature of the way as deep as the sea from the color change of light source.
作者：史珂 Shi Ke
作品名称：苔藓微景观“品”的包装设计 The Packaging Design Of Moss Microlandscape "Product"
媒材：木制材料 玻璃材料 真丝面料 胶版印刷 松墨印刷等 Wooden Materials,Glass Material,Real Silk Fabrics, Offset Printing, Ink Printing
创作日期：2022年3月14日
尺寸：20×13×7（cm)
研究领域：包装设计 Packaging Design
创意说明：
生态理念下的包装设计是包装产业发展的必然走向。在消费盛行时代下，存在人们对生态理念的忽视以及对产品内涵理解的消逝等相关问题。此次设计正是针对以上情况，以生态理念为切入点，对生态理念下产品包装进行实践性设计——苔藓微景观的包装设计。本次设计目的是运用苔藓微景观来对生态理念进行传扬，并为包装设计提供一种新的绿色设计理念，为消费者提供一种最容易且最广泛的接受方式来增强对生态理念的理解。
Description:
Packaging design under ecological concept is the inevitable trend of packaging industry development. In the era of consumption, there are related problems such as people's ignorance of ecological concept and the disappearance of the understanding of product connotation. In view of the above situation, this design takes the ecological concept as the entry point to carry out the practical design of product packaging under the ecological concept -- the packaging design of moss micro-landscape. The purpose of this design is to use moss micro landscape to spread the ecological concept, and provide a new green design concept for packaging design, to provide consumers with the easiest and most widely accepted way to enhance the understanding of ecological concept.
作者：胡昌军 Hu Changjun
作品名称：鲁学集物斋 Lu Xue Collection Workshop
媒材：胶版印刷 丝网印刷 锡纸 Offset printing,Screen printing,Tinfoil
创作日期：2022年3月20日
尺寸：80×50（cm）
研究领域：品牌形象设计 Brand Image Design
创意说明：
“鲁学集物斋”品牌，“鲁”即指齐鲁地区（山东省），“学”即指优秀传统文化，“鲁学”一词顾名思义，即指处在齐鲁地区的优秀传统文化，这里所涵盖的除了我们所熟知的山东省非遗，还有现代潮流文化的融入。“鲁学集物斋”意为打造一个坚固的文化容器，将山东省优秀的传统文化和新兴文化有秩序的、有组合的进行汇集，根据”文食艺器”四个基本模块进行框架构建，将齐鲁优秀文化进行基本分类，让其有序可列，可以让更多人清晰、直接地了解齐鲁地区的优秀文化。
Description:
"Lu Xue set content" brand, "namely" Qilu area (Shandong province), and "learning" is refers to the outstanding traditional culture, the word "learning" as the name implies, namely in qilu area outstanding traditional culture, covered in addition to the familiar here in Shandong province intangible, and integrated into the modern fashion culture. "Lu Xue set content" to build a strong culture container, the excellent traditional culture and the emerging culture of Shandong province orderly, have the combination together, according to the article "food art" four basic module framework to build, will have a basic classification of Qilu culture and make the orderly column, can make more clear and direct understanding of the excellent culture of Qilu area.
作者：赵朝臣 Zhao Chaochen
作品名称：孔府糕点包装设计 Kong Fu Pastry Packaging Design
媒材：纸板 胶版印刷 Cardboard, Offset printing
创作日期：2022年3月18日 March 18, 2022
尺寸：35×24×24（cm）
研究领域：包装设计 Packaging Design
创意说明：
此设计以孔子文化为主线的包装设计，建立 “朝圣”品牌，设计儒家文化特色包装结构。“朝圣”糕点的包装结构遵循功能及形式的设计原则。“朝圣”将中国传统美学与现代设计相融合，将礼盒的整体结构采用孔府建筑为外观设计出发点，顶部开窗式结构设计放入糕点使用餐具。正面采用了传统大门的形式，门中间采用一个圆形开窗，凸显出中国传统文化天圆地方的美好寓意。打开包装盒，在盒子的侧面用了类似抽屉的造型，打开包装盒直接映入眼帘的是一个四层立体插画和背景空间的通景效果图，故事内容是孔子讲学，把传统的孔子讲学运用通景画的方式巧妙用于当代包装设计，传承传统东方美学的同时，使画面具有时尚的艺术特点。包装盒打开的侧面分别有两扇窗，这两扇窗分别都可以向下打开，这样即提高了与消费者的互动增加了趣味性，也增加了产品的神秘感。
Description:
This design takes Confucius culture as the main line of packaging design, establishes the "pilgrimage" brand, and designs the packaging structure with Confucian culture characteristics. The packaging structure of "Pilgrimage" pastry follows the design principles of function and form. "Pilgrimage" integrates traditional Chinese aesthetics with modern design. The overall structure of the gift box adopts Kongfu architecture as the starting point of exterior design. The open-window structure at the top is designed to put cakes into tableware. The facade adopts the form of a traditional gate, with a circular opening window in the middle of the gate, highlighting the beautiful implication of the circular heaven and the circular earth in traditional Chinese culture. Opened the box, on the side of the box with a similar drawer modelling, open the box directly is a four layer three-dimensional space of the scene rendering, illustrations and background story is Confucius' teaching, the traditional Confucius teaching with the method of general landscape painting cleverly used in modern packaging design, inheriting the traditional Oriental aesthetic at the same time, make the picture have the characteristics of the art of fashion. There are two Windows on the sides of the packaging box, which can be opened downward respectively, which not only improves the interaction with consumers, but also increases the sense of mystery of the product.
美国拿撒勒大学：
Title: Chains Of Misery 痛苦的锁链
Medium: Lithography 平版印刷
Date of Completion: 2021
Size: 12” x 16”
Area of Study: Printmaking 版画
Creative Idea Behind the Project (Artist Statement):
My Thesis revolves around how humans are impacting the lives of innocent animals negatively in the world. This includes abuse, global warming issues, deforestation, how animals are treated in meat factories, and so on. I expose the selfishness of the human race when it comes to the lives of animals within my work. Humans will always put themselves first without a thought of how it will impact other innocent lives around them. In this specific piece, I am showing how some people treat animals they own by starvation, neglect, and abuse.
创作说明：
我的研究围绕人类如何对世界上无辜动物的生活产生负面影响展开。这包括虐待、全球变暖问题、森林砍伐、肉类工厂如何对待动物等等。在我的作品中，当涉及到动物的生活时，暴露了人类的自私。人类总是把自己放在第一位，而没有考虑到这将如何影响周围其他无辜的生命。在这个作品中，我展示了一些人如何通过饥饿、忽视和虐待来对待自己的动物。
Title: Rising Between The Waters 水涨船高
Medium: Acrylic paint 丙烯
Date of Completion: November 2021
Size: 24in x 48in
Area of Study: Painting 绘画
Creative Idea Behind the Project (Artist Statement):
My work explores concepts of life cycles, growth and development, and stability versus mutability, which can be applied to the universals of the human experience. I find it useful to express these themes in juxtaposition with basic, even mundane elements of the natural world in order to highlight their pervasiveness in our lives. By portraying human and natural forms morphing together as they exist parallel to one another, a transfiguration occurs wherein they can be understood as one and the same. Through this work, I highlight the trials, both of nature and of the human experience, an individual must master in order to thrive during their lifetime.
创作说明：
我的工作探索了生命周期、增长和发展以及稳定性与易变性的概念，这些概念可以应用于人类经验的普遍性。我发现，将这些主题与自然世界的基本、甚至平凡的元素并置，以突出它们在我们生活中的普遍性，是很有用的。通过描绘人类和自然形态在彼此平行的情况下一起变形，一种变形发生了，它们可以被理解为同一个。通过这项工作，我强调了自然和人类经验的考验，一个人要想在一生中茁壮成长必须掌握这些考验。
Title: My Lady 窈窕淑女
Medium: Ceramics 陶瓷
Date of Completion: March 2022
Size: 6ft
Area of Study: Ceramics 陶瓷
Creative Idea Behind the Project (Artist Statement):
My Lady combines the classical aspects of Italian Renaissance art, with a modern twist using geometric shapes. This piece is meant to show how over the years women in society feel forced to fit a certain classic image and stick to the stereotype society has given us. However, in today's society, many women are drifting from this mindset and are working to transform themselves to fit a modern version of themselves that they feel most confident in.
创作说明：
《窈窕淑女》结合了意大利文艺复兴时期艺术的古典风格和现代风格几何形状。这件作品旨在展示多年来社会上的女性是如何被迫适应的一定的经典形象和社会给我们的刻板印象。然而，在当今社会，许多女性正在摆脱这种心态，努力改变自己，以适应现代社会他们最自信的自我版本。
Title: Overgrown/Invaded 蔓延 / 侵略
Medium: Acrylic 丙烯
Date of Completion:11/5/ 2021
Size: 3.5ft x 7ft
Area of Study: Painting 绘画
Creative Idea Behind the Project (Artist Statement):
Life finds a way; nature will reclaim. I work in a variety of mediums but mainly create acrylic paintings, ceramic sculptures, and dance films to portray my message. Inspired by my travels to Brazil and Italy, historical ruins, and life experience I explore different ways in which nature takes back what it once had. I strive to combine my love for the outdoors and architecture in a cohesive manner, which typically involves trees, vines, and other greenery seeping its way into buildings and other manmade objects. My work comments on the perseverance of nature which can result in both beauty and destruction.
创作说明：
生活找到了一条路；自然会恢复的。我在各种媒介中进行创作，但主要创作丙烯画、陶瓷雕塑和舞蹈电影来表达我的信息。受巴西和意大利之旅、历史遗迹和生活经历的启发，我探索了大自然夺回曾经拥有的东西的不同方式。我努力将我对户外的热爱与建筑融为一体，这通常涉及树木、藤蔓和其他绿色植物渗透到建筑和其他人造物体中。我的作品评论了大自然的不屈不挠，这会导致美丽和毁灭。
展馆信息
山东财经大学海岱美术馆开馆时间：
周二-周日 9：00-17:00
防疫要求：鉴于当前疫情变化，为切实保障广大观众朋友的健康安全，暂时不能为校外人员提供线下观展等服务，给您带来的不便，敬请谅解。
期待校内朋友走进海岱美术馆的展厅，感受本届毕业生的青春与活力！
